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A critic always has advantages and disadvantages, strengths and limitations. Where the critic lives or used to live, how the critic lives or used to live, the specialist interests of the critic and the critic's wider interests, what meetings, lectures or exhibitions the critic happens to have attended, and many other factors, may make it harder or easier to do justice to the work, to avoid gross distortion and to arrive at justifiable appreciation, enthusiasm, passion, or justifiable lack of appreciation, dislike, loathing for the work criticized. Seeming advantages may sometimes amount to disadvantages. Later, I discuss some disadvantages of learning and knowledge.