Dialectic of thesis antithesis and synthesis

Adorno is also accused of a lack of consistency in his claims to be implementing Marxism. Whereas he accepted the classical Marxist analysis of society showing how one class exercises domination over another, he deviated from Marx in his failure to use dialectic as a method to propose ways to change. Marx's theory depended on the willingness of the working class to overthrow the ruling class, but Adorno and Horkheimer postulated that the culture industry has undermined the revolutionary movement. Adorno's idea that the mass of the people are only objects of the culture industry is linked to his feeling that the time when the working class could be the tool of overthrowing capitalism is over. Other critics note that "High culture" too is not exempt from a role in the justification of capitalism. The establishment and reinforcement of elitism is seen by these critics as a key element in the role of such genres as opera and ballet .

Emil Fackenheim is most insistent and most persuasive in The Religious Dimension in Hegel's Thought on this issue. He points out that the philosophy of the Absolute in Hegel does not necessarily involve the absorption of all of reality within the one Idea. Indeed, it is only in the victory of the Absolute over its antithesis (contingency) that an affirmation could be complete. Whence does this contingency arise? From the Absolute itself. Necessity (which is defined by the Absolute), "consists in its containing its negation, contingency, within itself." Or, stated in a bit more arcane but complete form: "it is therefore necessity itself which determines itself as contingency -- in its being repels itself from itself, and in this very repulsion has only returned into itself, and in this return, as its being, has repelled itself from itself." Thus the antithesis, which is contingency, must be "overreached," but can never be abolished else the dialectic be destroyed. As Fackenheim argues, "the entire Hegelian philosophy, far from denying the contingent, on the contrary seeks to demonstrate its inescapability." Contingency must exist for absolute freedom to realize itself.

Hegelian dialectic, usually presented in a threefold manner, was stated by Heinrich Moritz Chalybäus [35] as comprising three dialectical stages of development: a thesis , giving rise to its reaction, an antithesis , which contradicts or negates the thesis, and the tension between the two being resolved by means of a synthesis . In more simplistic terms, one can consider it thus; problem → reaction → solution. Although this model is often named after Hegel, he himself never used that specific formulation. Hegel ascribed that terminology to Kant. [36] Carrying on Kant's work, Fichte greatly elaborated on the synthesis model, and popularized it.

Dialectic of thesis antithesis and synthesis

dialectic of thesis antithesis and synthesis


dialectic of thesis antithesis and synthesisdialectic of thesis antithesis and synthesisdialectic of thesis antithesis and synthesisdialectic of thesis antithesis and synthesis